- A sspecial edition of MGM's cult flop The Pirate, an Arthur Freed/Vincente Minnelli/Gene Kelly/Judy Garland/Cole Porter musical made at a time when Minnelli's musicals were kind of stilted and garish. After the failure of this movie, he and Freed toned it down a notch and started setting musicals in familiar settings with somewhat more realistic plots. (Minnelli and Freed's next two musicals together, American in Paris and Band Wagon, are both contemporary stories, not wacky period pieces like The Pirate.) And yes, Freed completely ripped off Porter's "Be a Clown" four years later when he wrote "Make 'Em Laugh" for Singin'in the Rain.
- A double-feature of Fred Astaire musicals: Royal Wedding, which up to now has only been available in bad-looking public domain prints, and The Belle of New York, Freed's last attempt to do an original whimsical fantasy musical (and, like all his whimsical fantasy musicals except maybe Brigadoon, flopped at the box office) and Vera-Ellen's only chance to do a lead role at MGM.
- Words and Music, which bears absolutely no resemblance to the life of Rodgers and/or Hart.
- A double bill of Mario Lanza/Kathryn Grayson musicals: The Toast of New Orleans and That Midnight Kiss. Both were produced by Joe Pasternak, who was MGM's schlockiest producer of musicals but whose films were probably more consistently popular than Freed's. Pasternak's movies always had certain basic ingredients: sweet, innocent characters and plots, wacky ethnic supporting characters, and lots of light pseudo-classical singing (he made Deanna Durbin a star at Universal). Midnight Kiss may be his ultimate film because it features most of his favorite contractees after Durbin: Mario Lanza, Grayson, and pianist Jose Iturbi, who Pasternak kept putting into movies like Anchors Aweigh for no appreciable reason. Here are the three of them in a number that was cut from the film, but will be on the DVD as a bonus feature: