Random question to encourage reader participation: what's your favorite instrumental/orchestral theme from a movie (that is, non-vocal music)? Some movie scores don't have one big tune that's recognizable as the "theme," but it's fair to say that many if not most movie composers try to include one big melody that will define the picture. The themes for Star Wars or Kings Row or Superman (wait, they're all basically the same theme) stand for those movies in our heads; they are much more important to the image of the movies than, say, poster logos, which can change many times and be forgotten rather quickly.
I think I would pick David Raksin's theme from The Bad and the Beautiful. A long melody (it really just keeps going and going without a clear resolution, like musical perpetual motion) that's hauntingly beautiful but has that slightly unsettling edge that all Raksin's music has, it's the stand-in for the character of Jonathan Shields and the movie's attitude to Hollywood: tough but ultimately rewarding. Here is the final statement of the theme, from the closing scene -- as usual with Vincente Minnelli, all in one take -- and the closing credits (note that John Houseman, the producer, who'd worked on Citizen Kane, does something similar to Kane by showing clips of all the main actors at the end).
Tuesday, November 28, 2006
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10 comments:
Waxman:"The Bride of Frankenstein" and Herrmann:"Vertigo" both are hauntingly beautiful and extrordinarily influential.
Chris
"The James Bond Theme" credited to Monty Norman, allegedly by John Barry. If that doesn't get the ol' ticker racing, check into Forest Lawn.
David Raksin's LAURA Theme
One I never tire of is the theme from "On Golden Pond" if ever a piece of music captured the mood of a film!!
Nino Rota, "Nights of Cabiria"
Nino Rota "La Strada"
'Once Upon A Time in America' - Ennio Morricone
'Searching For Bobby Fisher' -
James Horner
Maurice Jarre's "Eyes Without a Face" theme is wonderfully creepy, so it gets points from me. But as for the most iconic theme? John Williams, "Jaws", no question.
The music from the Jacques Tati films particularly "Mr. Hulot's Holiday". Jerry Goldsmith's main theme to "In Like Flint" which is the instrumental version of "Your Zowie Face".They each swing a little and are nice waltzes.
ROCKY (Gonna Fly Now) - Bill Conti. Hands down. Listen to it all the way through, on it's own. And the way it plays throughout the film - the little quiet piano parts, the big triumphant ones.
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